Monday, August 05, 2013

August 05 - Vegas, We Have A Problem

A previously unreleased soundboard recording of Elvis Presley's controversial matinee performance at the Summit in Houston, TX, on August 28, 1976 is due for release from the Audionics import-label. The CD is entitled "Houston, We Have A Problem".

From the press-release: 
Over the years, much has been written about Elvis' afternoon concert at the Summit in Houston, TX. on August 28, 1976. The review by Bob Claypool has often been cited in Elvis literature, and the general consensus appears to be that this concert was a real disaster. Some have even suggested that this show was Elvis' worst concert ever, and it has often been a hot discussion point amongst fans. Someone even wrote a book about the show.

And yet, no recording has ever turned up. Not even an audience recording. Much of what we have read so far about this show is based on the Claypool review. But reviews are always subjective, while an audio recording is obviously a more objective means to judge a performance. After a long and exhaustive search, Audionics was recently able to locate and purchase the original soundboard tape of this concert, and we are now pleased to announce its release.

No doubt this newly-discovered recording will generate even more discussion on the message boards, as Elvis fans are now finally able to judge this controversial show for themselves. Audionics has gone to great lengths to find this recording and to bring you something truly new and unreleased. Some import labels are perfectly happy to bring you the same old stuff again & again, but at least we always go that extra mile to bring you unheard material. And, in this case, a historically relevant recording that will now enable you to hear for yourself what really happened that afternoon. Support us and we will continue to bring you more surprises in the future.

The audio quality of this soundboard is topnotch, and the show itself is 80 minutes. The audience sounds like they were having a good time that afternoon, and it’s interesting to hear the one-off return of Jerry Scheff’s bass solo in “Polk Salad Annie” for the first time since 1972/’73. We believe that this significant release will lead to a more nuanced appraisal of this show in the future.

Presented in a deluxe digipack with unpublished photos and relevant liner notes, this is one release that you must own.

Tracks:
01. C. C. Rider (incomplete) - 02. I Got A Woman / Amen - 03. Love Me - 04. If You Love Me (Let Me Know) - 05. You Gave Me A Mountain - 06. All Shook Up - 07. (Let Me Be Your) Teddy Bear / Don't Be Cruel - 08. And I Love You So (with false start) - 09. Jailhouse Rock - 10. Fever - 11. America The Beautiful (with reprise) - 12. Polk Salad Annie - 13. Introductions by Elvis of Singers, Musicians - 14. Early Morning Rain (John Wilkinson) - 15. What'd I Say (James Burton) - 16. Johnny B. Goode (James Burton) - 17. Drum Solo (Ronnie Tutt) - 18. Bass Solo (Blues theme, Jerry Scheff) - 19. Bass Solo (Battle Of New Orleans theme, Jerry Scheff) - 20. Piano Solo (Tony Brown) - 21. Electric Piano & Clavinet Solo (David Briggs) - 22. School Day (Joe Guercio Orchestra) - 23. Hurt - 24. Funny How Time Slips Away - 25. Can't Help Falling In Love - 26. Closing Vamp / Announcements. Running time: 79:22 

Losing Out In Vegas

Due for release from the Straight Arrow Special Products import-label is the CD "Losong Out In Vegas" containing the December 5, 1976  9PM show as recorded at the Las vegas Hilton. The label also announced another "double feature“ in late August; a 2CD set with the Las Vegas, September 2nd, 1973 3AM and dinner shows, taken directly from original tapes.

From the Press-release:
All die-hard fans know that Elvis‘ last Las Vegas season was an up & down experience. After a strong Dec. 2nd opening night, followed by 4 solid shows on Dec. 3 & 4, he gave a different kind of concert. Perhaps it was his first partial „sit-down“ show, since the famous June 1968 one.

An English super-fan Jennet was there and here are excerpts from her memories:

„The first indication that something unusual was afoot was when, during Jackie Kahane's comedy routine, Charlie Hodge called out to him from the wings. Kahane made a jokey comment about Elvis spraining his ankle after falling off his wallet, and would be starting his show a little late. Eventually Charlie appeared and explained that Elvis had sprained his ankle, hence the delay.

Following "C. C. Rider", Elvis made his apologies, stressing that he had twisted his ankle, in case there were any doubters. There were sorne changes to his song list. "I did a song called 'Are You Lonesome Tonight'", he said, adding humorously, "And did you sprain your ankle the day before?" He asked for a chair and water and crutch, and finally Charlie brought a chair onstage. He settled himself on the chair and Charlie held a microphone to Elvis' guitar.

Some of the crowd further back in the showroom were getting impatient and began a slow handclap. "They got a tap dance going back there, " remarked Elvis, but the banter ceased and he at last returned to the job in hand - singing - to do a request for "Sweet Caroline", trying to recall the lyrics He got up off his chair during this song, and it was later taken off stage.

A diverse selection of tunes was proof that Elvis had 'something for everybody': his versatility was underlined when he performed the emotional "You Gave Me A Mountain", following on with a short, raucous "Jailhouse Rock", the Neapolitan-flavoured "It's Now Or Never", the '55 Sun classic 'Tryin' To Get To You", and a throwaway "Blue Suede Shoes". Then, "Fever" was, frankly, sexy (even with Elvis' restricted leg-twitching), while "America" was proudly, patriotically performed.

As per usual this season, the King's powerhouse delivery of "Hurt" was a show highlight. The ankle injury may have curtailed some of the leg action, but the quality of Elvis' voice was undiminished. Although he tore through "Hound Dog", his committed performance of "How Great Thou Art" was another high point in the show, and featured the Stamps Quartet.“

Most of us know the review by Ger Rijff, which was fairly harsh. Opinions differ on this show, and this CD enables you to judge it for yourself. This CD is taken directly from an original audience master tape and it’s complete. Sound quality is very good for an audience recording. Previous CD release ed „PRESLEY AT THE HILTON“ (1994) was of inferior sound, missing some dialogues, „Blue Suede Shoes“ and a major chunk of „Fever“.

This special release is presented in de-luxe digipak accompanied by a 24-page booklet filled with previously unseen photos from December 1976 as well as liner notes written by the English super-fan, who taped the show. Do not miss this unique opportunity to get the ultimate release of this unusual show!

Tracks:
01. Announcement by Charlie Hodge - 02. Introduction: Also Sprach Zarathustra - 03. C. C. Rider - 04. I Got A Woman / Amen - 05. Blue Christmas - 06. That's All Right, Mama - 07. Are You Lonesome Tonight - 08. Dialogue about numerology and black diamond, Elvis birthstone - 09. Sweet Caroline (with false start) - 10. You Gave Me A Mountain - 11. Jailhouse Rock - 12. O Sole Mio (Sherrill Nielsen) / It's Now Or Never - 13. Tryin' To Get To You - 14. Blue Suede Shoes - 15. Fever - 16. America The Beautiful - 17. Band Introductions - 18. Early Morning Rain (John Wilkinson) - 19. What'd I Say (James Burton) - 20. Johnny B. Goode (James Burton) - 21. Drum Solo (Ronnie Tutt) - 22. Bass Solo (Blues, Jerry Scheff) - 23. Piano Solo (Tony Brown) - 24. Electric Piano and Clavinet Solo (David Briggs) - 25. Love Letters - 26. School Day (Joe Guercio Orchestra) - 27. Hurt - 28. Hound Dog - 29. Introduction of Vernon and Lisa Marie Presley - 30. How Great Thou Art - 31. Can't Help Falling In Love - 32. Closing Vamp.  Running time: 76:11

(Source: FECC)