Sunday, December 15, 2024

Review ELVIS UK – Compact Vol. 1

In 2021 John Townson and Gordon Minto published the most comprehensive discography on Elvis Presley's U.K. CD releases to date. Their work received glowing reviews from fans and collectors around the world for the complete overview of CD released by RCA, BMG, SONY, Public Domain and budget companies, fan clubs, the Follow That Dream collector’s label and many other publishers. 

The authors did not only compile a complete overview of the CD titles available, they also went behind the flickering of the silver discs, investigating the business and companies involved, the licensing, the marketing, the production (including the plats used), the history and pretty much all other possible aspects of these digital discs including errors and mis-prints collectors love so much. 

The result was a mammoth work of 1,402 pages and "an incredibly detailed narrative and visual record of Elvis Presley CD releases in the U.K. from 1983 to 2005 .... that maintains the high standard set by the earlier volumes" according to Elvis book expert Nigel Patterson in his review on the Elvis Information Network. 

There was only 1 complaint, the book was only available as an online digital flip-book. 

The choice for this format was a deliberate one, as publishing these kind of content (and thereby paper) heavy books isn’t that simple in a declining physical book market with an aging readers base. And while the technology selected by these gentlemen worked flawlessly, many fans, including myself, prefer to hold a digital copy in their hands. 

Fortunately for us, the authors listened to their reader's feedback and returned to publishing physical copies of their books again. Following physical re-releases and new titles in the 'ELVIS UK' series we now hold 'Elvis UK - Compact Volume 1 - The Ultimate Reference Guide to Elvis’s UK Compact Disc Releases in the UK between 1983-2005' in our hands. 

Design

With the first volumes in this series the authors set a strong design that benefits the content of their books, and they rightfully stuck to it. You could say that once you’ve read one ‘Elvis UK’ book, you’ve “seen them all”. Lucky for us, the authors were able to add more and more color over the years, and now present us the book in full color.

There is a good balance between the narrative - these are text-heavy books - and graphical elements, but personally I’d love to see a few more graphical pages, as collecting Elvis is not only about the content, but also how it looks and feels. This is something where Paul Alner’s books compliment this series.

And while a trilogy of 1,402 pages may seem large, it could have been much larger if the writers had not chosen such a small font and compact design as they did. Using a standard font, they may have come close to 2,000 pages I guess. 

So once start reading this book, you'll be engrossed longer than you may have expected. 

Content

This first volume details 170 of the 450 CDs covered in the three volumes. Known for their in-depth research the work of the dynamic duo John and Gordon speaks for itself. For the digital edition I wrote:"The beauty of this release is the tremendous amount of research behind these pages, all CDs are presented individually in meticulous and unprecedented detail and carefully cross-referenced. 
 
The book also includes sections on various artist CDs containing Elvis material, as well as company promos, including BMG in-house CDs, etc. The huge song index is presented in forensic detail, indicating exactly where each master (and any known outtakes) can be located and, in the case of live performances, when and where they were recorded.
 
Adding extra depth to the information are the contributions by former RCA / BMG personnel who helped with key background information and thereby adding the inside story. Especially the insights from Greg Geller, Mike Omansky and Klaus Schmalenbach clearly show that each CD - especially from Elvis’ official record company - was the product of a multi-year strategy. 
 
One name missing in the introduction is Ernst Jorgensen. I would have loved to see his perspective, as expert and as keeper of the flame, on bringing Elvis Presley back and re-branding ‘Elvis the artist’ through key-releases." 
 
If you are a collector of U.K. releases, and want to learn everything there is to know about the “journey” these silver discs made from the first idea, the production, the marketing up to the variation of the silver discs you “hold in your hand”, this trilogy is all you need. 

Each CD has it's own ID in the book, and the information on each entry includes items like the title, tracklisting, writers, versions, CD features (matrix numbers, barcodes), running-times, mechanical rights societies, SPARS codes, source identification codes, details on the booklets and inlays, bonus material and more. 

It is both a wonderful history of the emergence of the CD as a new music medium and of the cautious move RCA made to transfer Elvis' catalog from old-fashioned vinyl and tape to this digital medium.

And if you buy all three volumes in this series – and which collector wants and incomplete set … – the authors award you with the complimentary CD, ‘Elvis Beyond the Legend’. This 23-track digipack CD features 22 songs and the extended version the ‘Elvis Answers Back’  interview which first appeared in the November 1956 on paper and later as a flexi-disc in Teen Parade magazine.

Conclusion

The book is a valuable addition to the history of Elvis Presley releases on the various formats. Not only because it is complementary to the books that document Elvis' catalog on vinyl and tape, but also for fans like me, who grew up in the CD era and then laid the foundation for their collection. 

In my review for the flip-book edition I wrote that I was happy that I’m not a die-hard Elvis Presley CD collector, I noticed I missed quite a few CDs over the years. And I probably see more releases than the average fan due to my blog trying to cover everything Elvis Presley on a daily basis. And this book only covers official U.K. releases from 1983 to 2005, did did anyone keep track of all CDs released since that date? I can only hope the authors find the time and courage to do a follow-up covering all CDs until present day. I'll try to keep quiet about a book on  the CD bootlegs ...


I can’t imagine how much work went into creating this body of work, so a heartfelt “thank you” to the authors, these are the kind of encyclopedia’s that deserve a place on the bookshelf of SONY’s headquarter and in the British National library. 

In addition to being a reference book, it is also a history book that you can pick up again and again. I know what I will be reading between Christmas and New Year’s day, and if you’re fast, you can do the same. 

The book is available online from the authors for the reasonable price of 50GBP at the >>> ELVIS UK Books webshop

December 14 - For God and Country

According to an announcement in the booklet from the new 
Gravel Road box 'Return of a Prodigy' the label wil release the March 25, 1961 Hawaii concert as 'For God and Country'. 

This set should feature fully remastered audio on colored vinyl with a bonus CD and more. 

Note: This title was originally announced in January 2012.

(Source: FECC Forum)

Saturday, December 14, 2024

December 14 - Charts December 2023 Week 2

 
Elvis Presley can almost always be counted on to appear on the charts around the world at this time of the year as his holiday recordings are must-hears. 

U.S. Billboard charts: 

Elvis' 'The Classic Christmas Album' climbed no less than 63 spots on Billboard's main Album Top 200 chart, jumping from No. 123 to No. 65.

'The Classic Christmas Album' made a re-entry at No. 87 on Billboard's Global 200 chart and at No. 23 on the Catalog Album chart. The compilation jumped from No. 26 to No. 15 on the Top Country Albums chart while the 'ELV1S 30 #1 Hits' album dropped from No. 43 to No. 46.

On the Top Rock and Alternatives Album chart 'The Classis Christmas Album' climbed from No. 24 to No. 12 while it jumped from No. 17 to No. 8 on the Top Rock Album chart. On the Top Holiday chart the album climbed 2 spots to No. 17.
  • On the Classical Album chart the 'Christmas with Elvis and the Royal Philharmonic Orchestra' made a re-entry at No. 23.
  • 'Oh Little Town of Bethlehem' made a re-entry at No. 15 on the Christian Streaming Songs chart. 
  • On the Holiday 100 chart, 'Blue Christmas' climbed from No. 22 to No. 21, the song also climbed 1 place to No. 22 on the Holiday Streaming Songs chart.
  • On the Country Streaming Songs chart, 'Blue Christmas' jumeped from No. 18 to No. 8.
  • 'Here Comes Santa Claus (Right Down Santa Claus Lane)' dropped from No. 81 to No. 86. 
  • On the Artist Top 100 chart 'Elvis' made a re-entry at No. 35.

US Book Charts: 

Extra charts from the U.S. this week, for the Lisa Marie Presley biography. On the New York Times 'Combined Print and E-Book Nonfiction' bestsellers lists, 'From Here To The Great Unknown' dropped from No. 10 to No. 12. On the nonfiction hardcover bestsellers list the memoir dropped 2 spots to No. 11. On the Audiobook bestsellers list for November, the book is listed at No. 9. 

The book dropped from No. 16 to No. 24 on Publisher's Weekly Top 25 Non Fiction Hardcover list.


Official U.K. charts:
  • Official Album chart: 'ELV1S 30 #1 Hits' dropped from No 56. to No. 63. 
  • Official Streaming Album chart: 'ELV1S 30 #1 Hits' dropped from No.42 to No. 43. 
  • Official Singles Chart: 'Blue Christmas' climbed from No. 93 to No 78. 
  • Official Streaming Singles Chart: 'Blue Christmas' jumped from No. 75 to No. 59. 
  • Official Audio Streaming Singles Chart: 'Blue Christmas' rose from No. 68 to No. 53. 

Canadian Charts:
  • On Billboards Canadian Hot 100 chart, 'Blue Christmas' made a re-entry at No. 35.
  • 'The Classic Christmas Album' made a re-entry at No. 63 on the Canadian Album chart.

Irish IRMA charts: (to be updated on IRMA site this week)
  • Official Irish Album chart: 'ELV1S 30#1 Hits' won 5 places, climbing to No. 77. 

Swedish Charts:
  • On the Swedish Album chart 'Elvis' Christmas Album' made a re-entry at No. 36.

Dutch Charts:
  • On the Dutch Album Top 100 'Elvis' Christmas' album made a re-entry at No. 55.
  • On the Dutch Single Top 100 chart 'Blue Christmas' made a re-entry at No. 71.

Greek Charts:

On the Greek IPFI chart the 'ELV1S 30 #1 Hits' compilation lost 7 spots, dropping from No. 42 to No. 49.

(Source: Billboard / Official Chart Company / IRMA / UK Mix Forum/ IPFI / Amazon / NY Times / Publisher's Weekly / Entertainment Weekly / Forbes) 

Friday, December 13, 2024

December 13 - It's (Almost) Official

Variety announced that Authentic Studios and Baz Luhrmann are having a little more conversation about Elvis Presley. Luhrmann is directing and producing a new documentary about the King of Rock and Roll, centered on never-before-seen footage and recordings of Presley that he unearthed while creating his film 'ELVIS.' 

The film will be directed and produced by Luhrmann for Authentic Studios, a still nascent production banner within Authentic Brands Group that is aiming to develop movies and series based on the many brands and IP it represents and manages, among them material from the Presley archive.

Marc Rosen, Authentic’s president of entertainment, shared the news with Variety, which originally reported the news. Reps for Authentic and Luhrmann did not return IndieWire’s request for comment. More details when available.

This is  one of several projects in the works at Authentic Studios, part of the entertainment division of intellectual property brand management firm Authentic Brand Group. Nearly two years after launching a studio division to produce films and TV series tied to its various intellectual properties, Authentic has already sold 14 projects to various outlets.


Silver

The British Phonographic Industry certified the album 'Elvis' Silver for selling over 60,000 copies (streams plus digital downloads plus physical sales) since it's re-release on July 12, 1999. This certification marks the 5th B.P.I. award for Elvis in 2024.  

(Source: Variety / IndieWire / BPI / Phoenix Forum)

Thursday, December 12, 2024

December 12 - A Lifetime On The Piano

Here is the cover art for the upcoming biography on Glenn D. Hardin by
Julie Yeardie, titled 'A Lifetime On The Piano'. 

The book is set for publication in 2025 by the Danish Memphis Mansion.




Congratulations

Steve Binder, the director and producer of the 1968 'Elvis TV Special', celebrates his 92nd. birthday today. Congratulations!

(Source: Henrik Knudsen / UEPS)

Wednesday, December 11, 2024

December 11 - Presley Released

The French RDM-Edition record label released the new Mono II Stereo set 'PRESLEY - The Essential 50's Masters'.

Publicity stated: Rediscover 109 of the King's tracks with a new stereo mix! This 4-CD box set brings together the essential tracks from the 50s. Tracks from Elvis' albums, but also from his film soundtracks, including some rarities such as versions used for the films and different from the versions released on album. 

Please note this box set is a Limited Edition including an 8-page booklet and a slipcase.

A few words from the producer Anthony Stuchbury: When producing these Mono II Stereo 50s Masters, I "tried" to make the mixes consistent with how they would have been mixed at the time, if they had originally been recorded in stereo. I used various resources, including tracks from the period, which were recorded in this way, usually with the drums panned. A good comparison would be the hits of Neil Sedaka, also an artist recorded by RCA, whose masters from that era are mixed in this manner, and continued to be so until the early 1960s when he worked for the label. 

Between 1954 and 1958, Stereo recording techniques began to evolve, which led to a possible change in the way songs were mixed. A common misconception is that the Jordanaires' backing vocals were mixed to the side, usually to the right, but there is no evidence that this was the case on Elvis' hits in the 1950s. Generally, this is the type of mix that was used on Elvis' recordings from 1960 onwards, but even then it was not always the case, as can be heard in the May 1963 recordings, where the backing vocals can be heard in the center. 

Ultimately, mixing is the producer's job, and it's always subjective. So I used that freedom to create what I like best, including occasionally panning the backing vocals and centering the drums. I hope these four discs take you back to Elvis's 1950s era and that you enjoy the transformation of audio and mixes. 

You can listen to previews of all songs on the >>> RDM-Edition website

(Source: RDM-Edition)

Tuesday, December 10, 2024

December 10 - Golden Boys and Girls

The Golden Boy Elvis magazine will be available mid-December 2024. 

This edition contains the second part of the review of the FTD release 'Guitar Man - The ‘67 /’68 Sessions', with a special focus on the Masters, also reviewed in all its facets is the 'Memphis' box-se and we get part 1 of the review of the 4-CD FTD set 'The Last Tours Vol. 1' 

The magazine continues with the sixth part of our series 'Authentic Elvis - The Story of a Style Icon' and in 'Believing in the Dream' the quarterly magazine takes readers on an exciting journey back in time to the Fifties. For the fans of vinyl there is the Rillen-Revue-Remake section, which focuses on the single 'The Walls have Ears / Song of the Shrimp'.

For more information on the magazine visit the publisher's website at: >>> www.goldenboyelvis.de or contact them by mail at service@golden-boy-elvis.de.


Golden Girls

 
Elvis Presley’s Graceland announced that the next inductees to the Graceland Legends program will be The Sweet Inspirations. 
 
EPE stated: The Sweet Inspirations provided backing vocals for Aretha Franklin and other R&B greats and had a hit of their own with their signature song ‘Sweet Inspiration’ before they started working with Elvis in 1969. Estelle Brown, Cissy Houston, Sylvia Shemwell, and Myrna Smith were the members during Elvis’ first Las Vegas engagement at the International Hotel. After Houston left the group, the three settled on being a trio. The Sweet Inspirations were Elvis’ female backing vocal group from 1969 to 1977. Their rich F&B gospel-infused harmonies and stage presence delighted Elvis and his audiences. When introducing The Sweet Inspirations, Elvis was known to tell the crowd, “They Sure live up to their name.”

Graceland Legends is designed to honor and recognize the musicians and musical groups who were an integral part of Elvis Presley’s legendary career. In addition to being recognized in a ceremony at Graceland, the honorees will also be added to the Graceland Legends exhibit at Graceland.
 
Past Graceland Legends inductees including James Burton, Ronnie Tutt, Glen Hardin, Jerry Scheff, Scotty Moore, Bill Black, DJ Fontana, David Briggs, Norbert Putnam, Charlie McCoy, and The Jordanaires. 
 
The induction ceremony will be part of the Conversations on Elvis in January at Graceland during Elvis' Birthday Celebration. 
 
We look forward to recognizing their contribution to Elvis musical legacy with fans from around the world.


Dynamite!

The December-January issue of the German Dynamite! magazine features the article "Cooking like the King: Elvis' X-Mas Dinner".

(Source: Golden Boy Magazine / Elvis Club Berlin / Graceland)

Monday, December 09, 2024

December 09 - California Vinyl

According to the Elvis Australia website the Follow That Dream record label has released their special edition of Elvis' 1966 soundtrack 'California Holiday' as a Limited Edition double LP. The Elvis Shop London no longer has it as "pre-order". The LP was was supposed to be released back in September 2024.

The Australian site also mentions that 'The Making of King Creole', 'The Last Tours vol. 2' and 'The Girl Happy Sessions' have veen released. 

Other web-shops haven't listed it yet. 

About the LP: In October 1966, an MGM UK representative announced that 'California Holiday' would have its world premiere in London, and that the original U.S. title, 'Spinout', was changed because it was felt that would have more appeal to British and overseas audiences. 'Spinout' was only used in the U.S. and Canada. 

This unique FTD limited edition is based on the original UK release and features the red dot RCA Victor label. The double album includes the original soundtrack masters, studio outtakes and bonus tracks.

(Source: Elvis Australia / Elvis Shop London / Facebook)

Sunday, December 08, 2024

Review Ooh Las Vegas

The Millbranch import record label released another audio / video set, taking us back to February 1973. Let's head back to the first half of the seventies to 'Ooh Las Vegas'! 

Design

Like we’ve come to expect from this label, the packaging is top-notch, both modern and reflective of the time. The pictures of Elvis on the front and on the CD in his Blue Pinwheel suit are a nice bonus. Missing are the liner notes, which would have completed the package.  

The title is a fun reference to Gram Parsons,  considering the likes of Tutt, Burton and Hardin played with him in the same period they were backing Elvis.


Content

Many concerts have been released from this engagement, but we did not have this Midnight Show on a silver disc. We did have the Dinner Show on the CD-R 'The Battle Of Vegas, February 11, 1973'. 'It’s great' to get another complete show in "OK" audio quality from a Soundbooth recording, sourced from U.K. superfan Rex Martin.  

The sound is okay, with the occasional talking by Rex’s girlfriends, and so is the show. Elvis delivers the goods, but there are no real highlights that stand out on this night; it sounds a bit tame overall. But the audience doesn’t seem to mind. You can hear the interaction between Elvis, the laughter, and appreciation for the shaking hips, scarves, and singing, of course.  

To name a few “highlights”: a too-fast ‘Johnny B. Goode,’ but the mean guitar work by Burton makes up for it! Other enjoyable performances are ‘Can’t Stop Loving You’ and ‘An American Trilogy’, but they usually are, I would have been disapointed if Elvis hadn't delivered on these concert classics.   

I’m more enthusiastic about the DVD; this is where the label distinguishes itself from the competition. On the second disc, we get footage from 7 shows, 1 documentary, and 2 video clips.  

From all the shows on the DVD, the footage of the show we get on the CD is missing, unfortunately. I thought I did hear an 8mm camera running during ‘Fever’ on the CD, but the footage hasn’t surfaced.  

The DVD opens with a newly created clip of ‘An American Trilogy,’ using alternative angles from the ‘Aloha’ broadcast. From the Sunshine State, we head down to ‘Ooh Las Vegas,’ and traveling by car, we see the big billboards with Elvis - and popular stars like Tom Jones and Glenn Campbell - who took up residence in Sin City.  

I’ve read that Elvis was everywhere when he was in town, but these images confirm that: everywhere you look, his name is up in lights and on billboards. A nice way to “set the scene” for the concerts.  

During the documentary section, we get a short introduction and learn that, despite a sore throat and against doctor’s advice, he performed the shows. Later on, we see him cancel and then continue the show, not wanting to disappoint his audience! The 8mm footage with overdubbed sound shows that he could “sing around his vocal problems.”  

But that wasn’t the only problem he faced, as there was also an attempt to attack him on stage. Fortunately, he took care of business with his Mafia friends. If these attackers had paid any attention to the show they were watching, they would have seen that Elvis took his karate seriously, so it was a bad idea to enter the stage!  

Illustrated with small stories that happened during this period, like his meeting with Muhammad Ali and a member of the American boxing team - inspired to go into  boxing after seeing Elvis in 'Kid Galahad' - who had just lost to the Russians during a tournament in Vegas.  

Overall, a nice way to “set the scene” for the main course, the concerts.  

The editors have to work with what’s available, most of it shot secretly and unfortunately – due to the cost and short running time of the tapes – we get many fragments of Elvis’ performances, sometimes with only a second between two black screens connecting the fragments while the music continues. I wonder why the persons holding these recorders used them like a photo camera.  

Fortunately for us, it is all nicely edited with the overdubbed audio holding it all together. It’s basically a compilation of fragments with some additional complete songs like ‘Steamroller Blues,’ ‘Polk Salad Annie,’ ‘Johnny B. Goode,’ ‘Love Me Tender,’ and ‘Trilogy.’ The latter was a favorite of the audience, as they grabbed their 8mm camera to catch the performance. That means that fifty years later, we get various renditions of the song, but that’s no punishment presented like this.  

The footage is very good for 8mm, and not presented full-screen; it comes across very well. Although I must admit I wish that the editor had picked a different effect, as this one has a distracting reflective line at the top of the screen. Together with the occasional added sound of a running film projector, I found that distracting. Fortunately, the editor stuck to just one graphic effect, making all the fragments look like a whole.  

Looking at the footage, which covers 10 days in February 1973 through the eyes of the audience, we learn that Elvis’ performance on stage was a totally different one from what we had seen on the Hawaiian stage. Okay, there is a big difference between 8mm footage shot from the audience and a professional TV broadcast using all means possible, but besides that, Elvis is more active on stage, obviously feeling more at home. Also interesting: during ‘Fever,’ he only has to wiggle half a leg to get a reaction. So it seems odd that I don’t seem to hear this active performer when I played the CD we get in this set …  

One of the highlights is, of course, the extremely rare footage in stunning quality of Elvis appearing in his Blue Pinwheel suit at the February 20th Dinner Show. This shows that the editors really made an effort for this set, because next to the editing and audio-overdubbing, they also found new material.  

Presented like this, we literally get another perspective of Elvis on stage in early 1973. Of course, we all know the ‘Aloha’ show(s), but here it looks less staged than the staged concert movies like 'On Tour', 'That’s The Way It Is', and Aloha'. It comes across as more natural. Even handing out the scarves doesn’t look tacky, as it does when I see other artists do this. Having heard many audio recordings, I now got a better understanding and appreciation of the February 1973 Vegas stint. I enjoyed watching a coherent collection of 8mm footage, presented in the correct order to create a concert experience. At well over one and a half hours of footage, you can really sit down and enjoy this Vegas engagement.  

Conclusion

With the addition of these DVDs, the Millbranch label found a great way to present fans with an entertaining and insightful package, a little time capsule, you could say.  

Compilations like this are not everyone’s taste, but I found it insightful to get a pretty complete overview of this engagement: the show, the stage - with the band and backing vocalists standing on brown/red high-pile carpet and the same logo as on the billboard and menu projected behind the orchestra (new to me) - but, more importantly, Elvis’ act during the various songs we know so well, the suits, and everything else.  

The DVD ends with the announcement of a volume 2, so fingers crossed for more!  

In the past, DVDs were added as the bonus on a Deluxe release; here it is the other way around for me. Like the previous CD/DVD packages from the Millbranch label, this is an entertaining set that really adds something to your collection, especially if you want to experience Elvis live or if you’re a fan of 8mm footage.  

The CD is available from >>> Bennies Fifties.

Saturday, December 07, 2024

December 07 - Book on Glenn D. Hardin

During a Christmas breakfast event with fans, Julie Yeardie, formerly known as Julie Mundy, author of 'Elvis Fashion - From Memphis to Vegas', shared that she is working on a book on Elvis former piano player Glenn D. Hardin.
 



The book is set for publication in 2025 by the Danish Memphis Mansion Publishing. 










Vote for Your Ultimate Elvis Song

BBC Radio 2 is celebrating the music and legacy of Elvis Presley - the King of Rock'n'Roll - in January 2025 to mark the 90th anniversary of his birth. In honor of the occasion the BBC is looking for Your Ultimate Elvis Song from the shortlist of Elvis Presley's 90 U.K. Top 20 hits.

They've included both tracks from all Elvis double a-sides that reached the Top 20, plus all the Jailhouse Rock EP. You can vote up to five times - either all on one song or you can spread your votes across multiple tracks.

Voting closes at 12 noon on Friday 13 December 2024. The results will be revealed in a special countdown show, hosted by Vernon Kay, to be broadcast on Radio 2 on New Year's Day 2025 and available for the following 30 days on BBC Sounds.

Go to the >>> BBC site to vote - you need to have a BBC account but anyone can join in.


New Vinyl

Due from the Wax Time record label on February 14, 2025 is another vinyl re-issue of Elvis' debut album. 
Set for release on the same date from the Pan Am record label is the LP 'Rockin' '57'. 


More information when available

(Source: Dorhte Bach Larsen / Elvis Information Network / Various)