March 23 - Return Of A Prodigy On Stage

It was at the International Hotel in Las Vegas where - after eight years of non-stop movie making that left no room for live performance tours - Elvis and his manager Colonel Tom Parker finally staged his triumphant return to public concerts in 1969. As if making up for lost time, Elvis unleashed a torrent of pent-up energy at the International, picking up where his black-leather NBC-TV 'comeback' special of December 1968 left off. 

The International Hotel premiere took place over the course of four memorable weeks in July-August 1969; Elvis returned to the International for another four weeks in January-February 1970. A handful of the 12 songs from the 1969 shows were released in November that year as Elvis In Person at the International Hotel, better known as disc one of the double-LP From Memphis To Vegas - From Vegas to Memphis. The next year, ten songs from the '70 shows were released in June as the album On Stage (inexplicably including two songs from the previous year).

Now four decades later, those two albums - with multiple bonus tracks on each - have been coupled together for the first time. On Stage: Legacy Edition pays tribute to Elvis in one of the most outstanding performance periods in his career. The specially-designed double-CD package, encased in the distinctive Legacy Edition mylar slipcase, will be available starting March 23rd.

On Stage: Legacy Edition contains a full-color booklet with numerous photos and a new 3,000-word liner notes essay by Ken Sharp that provides the essential backstory. Sharp's recent book, Elvis: Vegas '69, draws on exclusive interviews with the people who were there, including Elvis' TCB bandmates, the Sweet Inspirations, the Imperials, celebrities in attendance, International Hotel personnel including hotel president Alex Shoofey, international media, and many others. 'It was his first live show in eight years and it was a big challenge coming back', master guitarist and TCB bandleader James Burton told Sharp. 'He'd been doing movies for so long and was very insecure about how his fans would accept him. Elvis came up to me right before the show and said, 'James, I'm so nervous, I don't know if I can do this'. I said, 'Elvis, when you walk out there and the curtain goes up, after the first two or three songs it'll be like sitting at home in your living room'.

The 1969 shows (represented on disc two) found Elvis asserting his dominion over the formative songs of his career, including '50s hits 'Blue Suede Shoes', 'All Shook Up', 'Hound Dog', 'Heartbreak Hotel', a medley of 'Jailhouse Rock/Don't Be Cruel', and a medley of 'Mystery Train' with Rufus Thomas' 'Tiger Man'. Early '60s hits include 'Are You Lonesome Tonight?' and 'Can't Help Falling In Love'. There were covers of early rock and blues standards from Chuck Berry ('Johnny B. Goode'), Willie Dixon ('My Babe'), Jimmy Reed ('Baby, What You Want Me To Do'), Lowell Fulsom ('Reconsider Baby'), and Ray Charles ('I Got A Woman', 'I Can't Stop Loving You'). Contemporary material was limited to 'In The Ghetto' and 'Suspicious Minds' (both from the Memphis sessions earlier that year), Willie Nelson's 'Funny How Time Slips Away' (a year before Elvis recorded it in 1970), and a surprising cover of the Bee Gees' 'Words' from 1968.

Six months later, the repertoire of the 1970 shows (represented on disc one) was entirely different - except for Elvis' red hot version of the blues staple, 'See See Rider' (the opening number) and Little Richard's 'Long Tall Sally', now the material was all from the contemporary song book. This included two songs from the '69 Memphis sessions, 'Don't Cry Daddy' and 'Kentucky Rain'. The emphasis was on ballads, including updates of the Everly Brothers' 1960 hit, 'Let It Be Me', and Ray Peterson's 1959 'The Wonder Of You' (which Elvis chose to issue as a rare live single, and it rose to the Top 10; included here is a bonus afternoon rehearsal version of the song).

'Eschewing the rockier edge of the '69 shows', Sharp writes, 'Elvis broadened his artistic swath, lending evocative interpretations of contemporary material like 'Sweet Caroline' by Neil Diamond, 'Proud Mary' by CCR and Joe South's 'Walk A Mile In My Shoes'. Elvis also applied his personal stamp to Engelbert Humperdink's 'Release Me' and Tony Joe White's 'Polk Salad Annie.' As mentioned, two songs were brought over from the International Hotel recordings of the year before, Del Shannon's 'Runaway' and the Beatles' 'Yesterday'. Four decades later, the impact of these live tracks confirms the fact that Elvis was as much a part of the current pop music scene as any performer of his time.

Details: On Stage: Legacy Edition By Elvis Presley 
(RCA/Legacy 88697 63213 2)

The first disc in the On Stage: Legacy Edition package is a newly-remastered version of Elvis' first live album.

Disc One - Selections: 1. See See Rider • 2. Release Me • 3. Sweet Caroline • 4. Runaway • 5. The Wonder Of You • 6. Polk Salad Annie • 7. Yesterday • 8. Proud Mary • 9. Walk A Mile In My Shoes • 10. Let It Be Me • Bonus songs: 11. Don't Cry Daddy • 12. Kentucky Rain • 13. Long Tall Sally • 14. The Wonder Of You

The disc's final addition is a unique glimpse of Elvis working on his repertoire, as he runs through 'The Wonder Of You' at an afternoon rehearsal, only hours before the original album recordings were done later that night. 


• (Tracks 1-10 originally issued June 1970, as On Stage, RCA 4362.)
• All tracks 1-13 recorded at dinner shows and midnight shows at the International Hotel, Las Vegas, February 16-19, 1970, except tracks 4 and 7, recorded August 25, 1969.
• Track 14 recorded at afternoon rehearsal, February 18, 1970.

Disc Two - Selections: 1. Blue Suede Shoes • 2. Johnny B. Goode • 3. All Shook Up • 4. Are You Lonesome Tonight? • 5. Hound Dog • 6. I Can't Stop Loving You • 7. My Babe • 8. Medley: Mystery Train/Tiger Man • 9. Words • 10. In The Ghetto • 11. Suspicious Minds • 12. Can't Help Falling In Love • Bonus tracks: 13. I Got A Woman • 14. Medley: Jailhouse Rock/Don't Be Cruel • 15. Heartbreak Hotel • 16. Baby, What You Want Me To Do • 17. Reconsider Baby • 18. Funny How Time Slips Away.


• (Tracks 1-12 originally issued November 1969, as Elvis In Person at the International Hotel, i.e. disc 1 of original double-LP From Memphis To Vegas - From Vegas to Memphis, RCA 6020; re-issued November 1970 as single-LP Elvis In Person, RCA 4428)
• All tracks 1-18 recorded at dinner shows and midnight shows at the International Hotel, Las Vegas, August 23-26, 1969.
• Tracks 13-16 originally issued 2008, on Elvis In Person (Follow That Dream Music, 88697 40721 2)
• Track 17-18 originally issued 1991, on Collectors Gold (RCA 3114).

This 2-CD set is a potent reminder that Elvis was enjoying one of many career peaks during these engagements in Las Vegas. During the August 1969 shows that yielded In Person, the artist prowled the stage like a panther and shocked audiences with his full-throttle intensity. Conceived similarly to his '68 Comeback Special, these tracks capture Elvis doing what he did best, but now with a full band and an hour-long setlist.

Elvis -The Return Of The King And The Prodigy

The Gravel Road Music import label announced the re-issue of their CD "Elvis -The Return Of A Prodigy".

The Godfather import label also announced the release of their re-issue of this same CD with the title "The King Has Returned". 

That's All Right Mint On eBay

Here it is - the one you've been waiting for - a mint, unplayed original pressing of the 45 that launched it all: Elvis Presley's landmark 1954 debut record "That's All Right"/"Blue Moon of Kentucky" (Sun 209), from the personal collection of Sun Records Promotion Manager Cecil Scaife! Cecil donated another copy from this very batch (Sam Phillips gave him a box of 25 copies back in the 1950's) to the Country Music Hall Of Fame for display. We had the distinction of listing one of Cecil's copies back in 2006 and we are beyond honored to offer another one up to you now in 2010! As you can see by the photos, this 45 comes out of its original shipping box (not included as part of this auction), is housed in its original brown stock paper sleeve, and is guaranteed original and unplayed!

This 45 - being unplayed - is in mint condition. Its labels, which have the push marks caused by the equipment at Plastic Products (the pressing plant that manufactured Sun records at the time), are also in mint condition, with raw flecks still flaking off the spindle hole! You couldn't have found a nicer copy if you'd walked into Poplar Tunes in July, 1954 to buy one hot off the press.

The Winning bid is 10,000.00

Despite the good hope that Myrna had to travel to Vienna today to perform with The Sweet Inspirations, The TCB Band and Dennis Jale, things turned out differently. The doctor did not allow Myrna to leave the hospital because he thinks she is not ready to go yet. It is the highest priority that Myrna will recover 100% before getting back on stage! 

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