Wink Martindale, a radio personality who became a television star Wink Martindale passes away. He was 91. R.I.P.
Wink Martindale spent 74 years in the radio and television business, starting his career at 17 as a DJ before making a name for himself at Memphis-based station WHBQ. Martindale was in the studio, although not working on-air that night, when the first Presley record 'That’s All Right' was played on WHBQ on July 8, 1954. Upon hearing the track, Martindale called Presley’s mother to see if he could come to his station for a chat. The conversation is thought to be instrumental in launching the career of a young Presley.
At his tenure with WHBQ, Martindale became the host of the TV show 'Top Ten Dance Party' where Elvis made an appearance on 16 June 1956. In 1959 he did a trans-Atlantic telephone interview with Presley, who was in the Army in Germany. Martindale’s second wife, Sandy, briefly dated Presley after meeting him on the set of 'G.I. Blues' in 1960.
The two stayed friends until Presley's death in 1977. Following Elvis' death Martindale aired a nationwide tribute radio special in his honor.
Most recently, Wink appeared at Elvis' 2024 Elvis Birthday Celebration where he was honored with a Beale Street Note on the Beale Street Walk of Fame.
He also narrated the 12-chapter 'Elvis Story' which was released on vinyl - a collectable according some fans - and (bootleg) CD.
Priscilla posted: "We lost a dear friend ... Wink Martindale. I'm still in disbelief. I spoke to Sandy, his loving wife and longtime friend two days ago and she thought he was making progress, All of us who knew Wink have lost a great friend, My heart goes out to you Sandy"
Martindale remembered Elvis on Fox News: I met Elvis Presley on a hot July night in 1954. I was morning man at WHBQ Radio in the Chisca Hotel in Memphis, Tennessee. I did the morning show called 'Clockwatchers'. At night from 9:00 to midnight, we had a wild DJ on the air who played black music for white kids in those days. They called it race music, rhythm and blues music. He had 65 to 70 percent of the audience.
Now, even though I worked mornings, I happened to be there this particular night showing some of my hometown buddies around the radio station. I heard this commotion coming out of the studio where Dewey Phillips was doing his show called 'Red, Hot and Blue'. I excused myself from my friends, and I walked into the studio. I discovered that Sam Phillips, founder of Sun Records, had walked in with an acetate - not a finished record - but an acetate of a recording he had made just two hours earlier by a truck driver for Crown Electric Company whose name was Elvis Presley.
He wanted DJ Dewey Phillips to test it on the air to see if he had anything. Dewey Phillips played it. The switchboard lit up. It was called 'That's All Right Mama'. It turned out to be his first hit. He played it seven times in a row. I was the one delegated by Sam Phillips to call Elvis' parents, who lived in low rent housing out in east Memphis called Lauderdale Courts. They were very poor. I got on the phone, and I called the Presley residence and Gladys, Mrs. Presley, answered the phone.
FN: Was Elvis' family aware of what was happening on the radio?
Wink Martindale: They were listening, of course, and they were very excited about the way the audience was reacting to 'That's All Right Mama', Elvis' first record. I said, 'Mrs. Presley, Dewey would like him to come down to the studio. He wants to interview him. Where is he?' She said, 'Well, he was so nervous about his record being played. He went to see a double-feature Western. You'll find him at Suzores Theatre on Decatur Street'.
They got in their truck, and they went over to the Suzores and walked up and down the dark aisles. There was Elvis sitting all by himself watching this Western movie. They whispered to him about the excitement being generated by 'That's All Right Mama'. He, of course, was excited. They came down to the station. Dewey put him on the air and interviewed him. It was his very first interview as a pro. I met him that night, and he remained my friend until the day he died.
FN: What surprised you the most about Elvis?
Wink Martindale: He was a giver. Very few people knew that he gave away literally millions and millions of dollars to charitable organizations not only in this country but all over the world.
He was a great giver. If he was your friend, he was your friend until the day you died. I mean he would always be your friend and do anything for you that you needed him to do. He was that kind of a person.
Vinyls Delayed
The 'Follow That Dream' 2-LP 'Girl Happy' has been delayed by at least 3 weeks due to production problems. The vinyl is now expected in May. This also effects the shipping of re-issues of 'The Last Tours' and 'The /Blue Hawaii Sessions' sets.
The LP version of the MRS 'Elvis - Live at the Houston Astrodome 1974' release – on both black and transparent vinyl – has been delayed due to a delay in the production process at the supplier, this edition is now expected in May.
Pop Icon
Taylor Prescott published the 187-page book 'American Pop - Icons: Elvis'.
Description: 'American Pop - Icons: Elvis' is the debut volume in the new 'Icons' spin-off of the bestselling 'American Pop' series, a bold cultural history that positions Elvis Presley as more than just the King of Rock and Roll. In this sharp, engaging analysis, Taylor Prescott traces how a shy boy from Tupelo became one of the most iconic figures in American life, redefining fame, race, sex, youth, and identity in the process.
Through rich storytelling and sharp cultural insight, Prescott examines Elvis as a brand, a mirror, and a catalyst for change. Perfect for fans of pop culture, music history, and anyone interested in how a single performer came to reflect the hopes, anxieties, and contradictions of twentieth-century America.
This is not just a biography. It's a deep dive into how Elvis’s image and sound transformed American culture. From the Pentecostal rhythms of his Mississippi childhood to the media frenzy of his television appearances, from his explosive impact on 1950s youth culture to his controversial place in the racial politics of rock and roll, 'American Pop Icons: Elvis' explores the man behind the myth—and the myth that shaped a nation.
(Source: Pascal Matteo / New York Times / Wikipedia / Elvis Australia / FECC / Reuters / UEPS / ElvisMatters / Amazon)